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王政復古期におけるシェイクスピア受容 ―ウィリアム・ダヴェナントの改作をめぐって―
https://doi.org/10.20569/00005525
https://doi.org/10.20569/00005525fb7be97b-8d54-43e7-ab09-f32c349bedfe
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kbj76(41) (933.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2021-04-09 | |||||||||
| タイトル | ||||||||||
| タイトル | 王政復古期におけるシェイクスピア受容 ―ウィリアム・ダヴェナントの改作をめぐって― | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | The Reception of William Shakespeare during the Restoration Period ―A Study of William Davenant’s Adaptations― | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | William Davenant | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Shakespeare | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Adaptation | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Restoration theatre | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.20569/00005525 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 作成者 |
佐々木, 和貴
× 佐々木, 和貴
× SASAKI, Kazuki
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| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | It is generally accepted that the "Bardolatry" (the apotheosis of Shakespeare) began, and with it the so-called "Shakespeare Industry" flourished in the 18th century. Indeed, it was around this time that a series of complete works were published, beginning with Nicholas Rowe's edition(1709). The success of the famous actor David Garrick (1717-1779) also contributed to the increase in the number of performances of his works and established Shakespeare's status as "The English National Poet". However, this transformation into a national cultural hero was not achieved overnight, of course. This paper therefore focuses on the reception of Shakespeare during the Restoration period, which has seen a revitalization of research in recent years. In particular, I will focus on the work of Sir William Davenant (1606- 1668), who gained popularity for his adaptations of Shakespeare's works in the 1660s. I will analyze what made Davenant's adaptations so appealing to the contemporary audience. This would also serve as an attempt to explore the prehistory of Shakespeare cult in the 18th century. | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 書誌情報 |
秋田大学教育文化学部研究紀要 人文科学・社会科学 号 76, p. 41-47, 発行日 2021-03-01 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 24334979 | |||||||||
| NCID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12812348 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 秋田大学教育文化学部 | |||||||||
