{"created":"2023-07-25T10:25:03.187067+00:00","id":5202,"links":{},"metadata":{"_buckets":{"deposit":"82251e6b-dec2-4afb-8b69-07f6f5d13bfb"},"_deposit":{"created_by":15,"id":"5202","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"5202"},"status":"published"},"_oai":{"id":"oai:air.repo.nii.ac.jp:00005202","sets":["597:598:1126:1436"]},"author_link":["14641","14642"],"item_10002_alternative_title_34":{"attribute_name":"別タイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Reception of William Shakespeare during the Restoration Period　―A Study of William Davenant’s Adaptations―"}]},"item_10002_biblio_info_36":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"76","bibliographicPageEnd":"47","bibliographicPageStart":"41","bibliographic_titles":[{"bibliographic_title":"秋田大学教育文化学部研究紀要 人文科学・社会科学"}]}]},"item_10002_description_29":{"attribute_name":"内容記述（抄録）","attribute_value_mlt":[{"subitem_description":"It is generally accepted that the \"Bardolatry\" (the apotheosis of Shakespeare) began, and with it the so-called \"Shakespeare Industry\" flourished in the 18th century. Indeed, it was around this time that a series of complete works were published, beginning with Nicholas Rowe's edition(1709). The success of the famous actor David Garrick (1717-1779) also contributed to the increase in the number of performances of his works and established Shakespeare's status as \"The English National Poet\". However, this transformation into a national cultural hero was not achieved overnight, of course. 　　This paper therefore focuses on the reception of Shakespeare during the Restoration period, which has seen a revitalization of research in recent years. In particular, I will focus on the work of Sir William Davenant (1606- 1668), who gained popularity for his adaptations of Shakespeare's works in the 1660s. I will analyze what made Davenant's adaptations so appealing to the contemporary audience. This would also serve as an attempt to explore the prehistory of Shakespeare cult in the 18th century.","subitem_description_type":"Other"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.20569/00005525","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_30":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"秋田大学教育文化学部"}]},"item_10002_source_id_27":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"24334979","subitem_source_identifier_type":"ISSN"}]},"item_10002_source_id_35":{"attribute_name":"NCID","attribute_value_mlt":[{"subitem_source_identifier":"AA12812348","subitem_source_identifier_type":"NCID"}]},"item_10002_version_type_37":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"佐々木, 和貴"}],"nameIdentifiers":[{"nameIdentifier":"14641","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"SASAKI, Kazuki","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"14642","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-04-09"}],"displaytype":"detail","filename":"kbj76(41).pdf","filesize":[{"value":"933.5 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kbj76(41)","url":"https://air.repo.nii.ac.jp/record/5202/files/kbj76(41).pdf"},"version_id":"5f8d54e6-1e10-450e-8e0b-cf478156db19"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"William Davenant","subitem_subject_scheme":"Other"},{"subitem_subject":"Shakespeare","subitem_subject_scheme":"Other"},{"subitem_subject":"Adaptation","subitem_subject_scheme":"Other"},{"subitem_subject":"Restoration theatre","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"王政復古期におけるシェイクスピア受容　―ウィリアム・ダヴェナントの改作をめぐって―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"王政復古期におけるシェイクスピア受容　―ウィリアム・ダヴェナントの改作をめぐって―"}]},"item_type_id":"10002","owner":"15","path":["1436"],"pubdate":{"attribute_name":"公開日","attribute_value":"2021-04-09"},"publish_date":"2021-04-09","publish_status":"0","recid":"5202","relation_version_is_last":true,"title":["王政復古期におけるシェイクスピア受容　―ウィリアム・ダヴェナントの改作をめぐって―"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-07-25T10:55:34.124693+00:00"}