{"created":"2023-07-25T10:23:28.299482+00:00","id":3129,"links":{},"metadata":{"_buckets":{"deposit":"fe06e81f-c3ed-428c-9ee3-81b272faaee7"},"_deposit":{"created_by":15,"id":"3129","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"3129"},"status":"published"},"_oai":{"id":"oai:air.repo.nii.ac.jp:00003129","sets":["597:598:1126:1148"]},"author_link":["10961","10960"],"item_10002_alternative_title_34":{"attribute_name":"別タイトル","attribute_value_mlt":[{"subitem_alternative_title":" Почему Чебурашка грустный? Пересмотр постсоветских толкований о советской анимации. 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В настоящей статье автор снова пересматривает о связи между анимацией и советским обществом, включая рассмотрение о вопросах идентичности еврейских аниматоров, которые американский исследователь Кац недавно ставит в своей монографии « Закрывать занавеску: Евреи и золотой век советской анимации »(2016). 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