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近代の諸空間における芸術と主体 ―― パノラマ，美術館，複製技術，都市における芸術作品と芸術的主体像――
http://hdl.handle.net/10295/1682
http://hdl.handle.net/10295/16826c528bfb-872f-4652-b3ac-46955fceb3b1
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kb64j1.pdf (1.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2010-03-29 | |||||||||
| タイトル | ||||||||||
| タイトル | 近代の諸空間における芸術と主体 ―― パノラマ，美術館，複製技術，都市における芸術作品と芸術的主体像―― | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Art and Subject in Spaces of Modernity: Panorama, Museum, Concert Hall and City in the Age of Mechanical Reproduction | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Art | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Subject | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Aura | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Museum | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | City | |||||||||
| 主題 | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Modernity | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 作成者 |
和泉, 浩
× 和泉, 浩
× IZUMI, Hiroshi
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| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | In the conception of both modern centered subject and post-modern de-centered subject, and the analysis of modern and post-modern life and society, their nature and being are often depicted and conceptualized using artistic, aesthetic terms and metaphors. While the long term flourishing of artistic conceptions of subject, subjectivity and its life, the concepts related to the Art and Aesthetics―for example, canon, autonomy, purification, genius, originality―have been criticized and scrutinized in the various disciplines. The purpose of this paper is to figure out the relations between artwork and subject in the various modern spaces : panorama, museum, concert hall, city space, referring to the writings about art, especially museum and artwork, by Theodor Adorno, Marcel Proust, Paul Vale′y, Edward Said, Walter Benjamin, in order to find a toehold to approach the questions of why the artistic metaphors and art remain so significant in the era when the Art lost its influence of which Plato expressed fear, and what problems and paradoxes the subject of modernity and post-modernity confront, when the Art has transformed its nature and position in the age of mechanical reproduction. The panoramas of the nineteenth century which exhibit the panoramic view of city transform city into artwork and commodity which are gazed at and consumed, and in turn this means blurring the boundary between artwork and commodity. Building holy place of art, the museum guards artworks against the secular capitalistic world, but Vale′y detects the capitalistic world and city penetrate the museum. If city and museum cannot be distinguished in their constituting principles, subject which is conceived using artistic metaphor and who lives in modern or post-modern society (city) suffers the same fate as art and artwork. |
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| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 書誌情報 |
秋田大学教育文化学部研究紀要 人文科学・社会科学 巻 64, p. 1-14, 発行日 2009-03-01 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1348527X | |||||||||
| NCID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA11458593 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 秋田大学教育文化学部 | |||||||||
